Ernst Hemingway described in “Death In The Afternoon” how a bullfighter was gored due to a technical error when he was attending a Novillada in Madrid
“One time in Madrid I remember we went to a novillada in the middle of the summer on a very hot Sunday when every one who could afford it had left the city for the beaches of the north or the mountains and the bullfight was not advertised to start until six o’clock in the evening, to see six Tovar bulls killed by three aspirant matadors who have all since failed in their profession. We sat in the first row benind the wooden barrier and when the first bull came out it was clear that Domingo Hernandorena, a short, thick-ankled, graceless Basque with a pale face who looked nervous and incompletely fed in a cheap rented suit, if he was to kill this bull would either make a fool of himself or be gored. Hernandorena could not control the nervousness of his feet. He wanted to stand quietly and play the bull with the cape with a slow movement of his arms, but when he tried to stand still as the bull charged his feet jumped away in short , nervous jerks. His feet were obiously not under his personal control and his effort to be statuesque while his feet jittered him away ou of danger was very funny to the crowd. It was funny to them because many of them knew that was how their own feet would behave if they saw the horns coming toward them, and as always , they resented any one else being in there in the ring, making money, who had the same physical defects which barred them, the spectators, from that supposedly highly paid way of making a living. In Hernandorena’s nervous jerking was even worse after their performance. He had not been in the ring with a bull for over a year and he was altogether unable to control his nervousness. When the banderillas were in and it was time to go out with the red cloth and ths sword to prepare the bull for killing and to kill, the crowd which had applauded ironically at every nervous move he had made knew someting very funny would happen. Below us, as he took the muleta and the sword and rinsed his mouth out with wáter I could see the muscles of his cheeks twitching. The bull stood against the barrier watching him. Hernandorena could not trust his legs to carry him slowly toward the bull. He knew there was only one way he could stay in one place in the ring. He ran out toward the bull, and ten yards in front of him dropped to both knees on the sand. In that position he was safe from ridicule. He spread the red cloth with his sword and jerked himself forward on his knees toward the bull. The bull was watching the man and the triangle of red cloth, his ears pointed, his eyes fixed, and Hernandorena kneeéd himself a yard closer and shook the cloth. The bull’s tail rose, his head lowered and he charged and, as he reached the man, Hernandorena rose solidly from his knees into the air, swung over like a bundle, his legs in all directions now, and the dropped to the ground. The bull looked for him found a wide´spread moving cape held by another bullfighter instead, charged it, and Hernandorna stood up with sand on his White face and looked for his sword and the cloth. As he stood up I saw the heavy, soiled gray silk of his rented trousers open cleanly and deeply to show the thigh bone from the hip almost to the knee. He saw it too and looked very surprised and put his hand on it while people jumped over the barrier and ran toward him to carry him to the infirmary. The technical error that he had committed was in not keeping the red cloth of the muleta between himself and the bull until the charge; then at the momento of jurisdiction as it is called, when the bull’s lowered head reaches the cloth, swaying back while he held the cloth, spread by the stick and the sword, far enough forward so that the bull following it would be clear of his body. It was a simple technical error.”
Ernst Hemingway; Death In The Afternoon
Ernst Hemingway describing bullfight first hand: A Technical Error
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